Pottel Review : A Village Drama That Misses the Mark
Sarkar Rating: 2.25/5 Release Date : October 25, 2024
Cast
Yuva Chandra Krishna, Ananya Nagalla, Ajay, Noel Sean, Srikanth Iyengar and others
Crew
Director : Sahit Mothkhuri
Producers : Suresh Kumar Sadige, Nishank Reddy Kudithi
Music Director: Shekar Chandra
Cinematographer: Monish Bhupathiraju
Editor : Karthika Srinivas
“Pottel” is a film that could benefit from significant trimming, as its 160-minute runtime feels excessive and at times, dull. While the film features some standout scenes, it is often bogged down by outdated subplots related to village politics. The tension between the protagonist and antagonist lacks the necessary thrill, which could have greatly enhanced the story’s impact.
Story
Slow Pacing and Engaging Storyline
Director Sahith takes considerable time to delve into the main storyline, and when he finally does, the screenplay fails to engage the audience fully. After some promising scenes, many filler moments detract from the narrative’s flow. The lengthy setup of Pottel’s world slows the pacing, leaving viewers expecting more excitement than is delivered, especially considering the trailers suggested a series of shocking moments that ultimately fall flat.
The familiar themes of villagers revolting against authority and the hero’s struggle against a powerful figure feel clichéd, reminiscent of numerous films before it. The film’s pacing, particularly after the first thirty minutes, is notably sluggish, indicating a need for tighter screenplay editing. A runtime of just over two hours could have amplified the film’s emotional impact.
Technical Aspects
“Pottel” features a captivating background score by Sekhar Chandra that enhances the viewing experience. Several songs are well-integrated into the narrative, and Monish’s camerawork beautifully captures the rustic visuals, keeping viewers engaged. However, the editing leaves much to be desired, as the screenplay struggles to maintain grip. The production design stands out, with well-crafted lyrics and dialogues that resonate through the use of Telangana slang.
Director Sahith, in his second film following “Savari,” chooses a commendable subject and infuses it with emotional depth. His casting is solid, and he narrates the film with a decent approach. However, the prolonged runtime dilutes the emotional intensity. Although Sahith’s attempt to convey a social message is praiseworthy, the overall execution lacks the necessary shock value to keep audiences fully captivated.
Verdict
In summary, “Pottel” presents a passable village drama with a strong backdrop and a significant social message. While Ajay delivers an impressive performance, the slow pace and conventional scenes hinder the film’s overall flow. “Pottel” is an honest effort that may appeal to viewers who appreciate realistic social dramas, but it ultimately misses the opportunity to stand out in a crowded genre.
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