Vintage Chiranjeevi Magic Wins Big – Director Anil Ravipudi
Megastar Chiranjeevi and hit machine Anil Ravipudi have delivered an industry blockbuster with Mana Shankara Vara Prasad Garu. Victory Venkatesh impressed in a pivotal role, adding immense strength to the narrative. Produced by Sahu Garapati and Sushmita Konidela under the Shine Screens and Gold Box Entertainments banners, the film stars Nayanthara as the female lead and is presented by Smt. Archana.
Released worldwide as a Sankranthi treat on January 12, the film has emerged as a mega blockbuster, registering record-breaking collections and continuing its sensational house-full run. On this occasion, director Anil Ravipudi interacted with the media and shared insights about the film’s success.
Pawan Kalyan Garu congratulated you on the film. How did that feel?
It felt wonderful. Pawan Kalyan Garu’s appreciation gave me immense happiness. Many directors and heroes from the industry personally called or messaged me. Celebrating this success together with the industry has been truly special.
Chiranjeevi Garu appeared in a young and stylish look. Was this planned from the start?
The very first photoshoot itself was stunning. I felt the look had a huge wow factor—very glamorous and fit. I knew audiences would fall in love with this look if it sustained through the film. His appearance, timing, body language, and script alignment were perfect. Everyone was mesmerized seeing vintage Chiranjeevi Garu again. I’m deeply grateful to him for giving me the opportunity to present that vintage Megastar magic.
Chiranjeevi Garu naturally has impeccable comic timing. With the right story, it becomes magical—and that’s exactly what audiences across all generations are experiencing now.
Was there pressure bringing Chiranjeevi Garu and Venkatesh Garu together?
Naturally, expectations were sky-high. Presenting them in a way that pleases everyone was a big challenge. But their natural off-screen friendship made my job much easier. Their scenes together are being enjoyed by audiences of all ages—from kids to elders.
Working with Chiranjeevi Garu was a mind-blowing experience. I grew up watching both these legends. Directing them felt like a dream. Dancing with them, even playfully imitating them, was unforgettable. Chiranjeevi Garu encouraged me a lot, especially during the belt-step sequence—that moment will stay with me forever.
Every sequence worked beautifully. How did the writing process go?
I wanted to showcase Shankara Vara Prasad’s journey. The film feels like a one-man show, revolving entirely around his character. We followed the screenplay exactly as planned. Initially, Shashirekha’s love track was placed midway, but later we felt it would connect better if introduced early—and that change worked wonders.
The drinking scene became hugely viral. What’s the story behind it?
Every Chiranjeevi Garu film has a unique signature sequence. His mannerisms in such scenes are distinct. That scene also reveals the emotional bond between his character and Venkatesh Garu. It exploded in theatres and is now trending as reels. That said, while it’s meant in fun, I sincerely request children to stay away from such habits.
Preparing a story for Chiranjeevi Garu must be challenging. How did you approach it?
I put in extra effort with full confidence that I’d make a film with him. Writing flowed smoothly, perhaps driven by my passion to present him the way I admire him. This is the fastest script I’ve written in my career. Comedy roles suit him perfectly—his timing elevates every scene.
Nayanthara actively promoted the film. How did that happen?
She loved the story and appreciated my working style. She was very positive and willingly participated in promotions. After release, she was extremely happy seeing the film’s massive success.
What feedback did you receive from Mega fans at the ground level?
Their response is indescribable. Many got emotional seeing Chiranjeevi Garu like this after years. Theatres felt like festivals. Audiences across age groups celebrated the film like a grand carnival.
You’ve achieved nine consecutive hits after Rajamouli Garu. How careful will you be with your tenth film?
This is a crucial phase for me. I’ve taken a brief pause to decide what’s next. We cracked a strong idea recently. From the title announcement itself, the journey will be unique. The storyline is locked; casting will be finalized soon. We plan to start in June or July. It will be another solid entertainer—and yes, Sankranthi again (laughs).
The film also received a terrific response in the US. Will you be visiting?
Definitely. Either by the end of this month or in February, I plan to visit the US to personally thank audiences. From F2 onwards, five of my films have received incredible love there.

Thoughts on Bheems’ music?
Working with Bheems is always joyful. I can clearly communicate my musical vision to him, and he delivers multiple versions tirelessly. He worked day and night for this film. Our collaboration will surely continue.
Remakes in other languages—how do you see that?
Remakes have reduced these days. So even attempting them now is a record in itself (laughs). Personally, I prefer making fresh stories. Comedy especially depends heavily on language and timing, making remakes risky.
How do you manage budgets so effectively?
I treat the producer’s money as my own. Every rupee is accounted for on paper. Budget control ultimately lies in the director’s hands.
Chiranjeevi Garu’s niece sang a song in the film. How did that happen?
Chiranjeevi Garu discovered two wonderful talents through this film. He identified Sandeep’s potential as a master, and he’s already earned a great name. His younger sister Madhuri Garu’s daughter surprised us all with her singing talent. She trained in pop music and impressed everyone. An outstanding singer.
Collections crossed ₹300 crore. Is ₹400 crore the next target?
I truly hope so. The film is holding strong on weekdays and is expected to perform even better this weekend. Shares are coming in from every area—we’re optimistic about seeing a fantastic number.
Sankranthi has become a true film festival, and being a key part of it makes me very happy.
Another film with Chiranjeevi Garu soon?
Maybe not immediately, but definitely in the future. We share a great bonding.
How do you feel about being compared to Rajamouli Garu?
The comparison may be due to consecutive successes, but as directors, we are very different. His scale is unmatched. He’s one of my favorite filmmakers. I’ve just begun my journey—I still have a long way to go.
What gives you energy?
The smiles and laughter of audiences inside theatres—that’s my biggest energy source.
Read Also: Mana Shankara Vara Prasad Garu Movie Review: Familiar Template, Limited Impact
