Thaman Addresses Pushpa 2: The Rule Score Speculations
In the world of Indian cinema, rumors often spread as fast as the anticipation for upcoming blockbusters. One such topic of discussion has been the background score for the highly awaited movie Pushpa 2: The Rule. Speculation ran rampant when whispers emerged suggesting that popular composer S. Thaman would be taking the reins for the film’s background music.
To address these swirling rumors, Thaman himself has come forward with a clear statement. In recent interactions on social media, he categorically denied any involvement in the background score for Pushpa 2. Thaman expressed his respect for the film’s team but emphasized that he is not associated with the project in any capacity.
“I am a huge admirer of the Pushpa series and the incredible work done by [composer] Devi Sri Prasad (DSP), who brought magic to the first film. The credit for the iconic music and background score that resonated with audiences belongs solely to him,” Thaman noted.
Devi Sri Prasad, who composed the chart-topping songs and impactful background score for Pushpa: The Rise, is expected to continue his role in the sequel. DSP’s music played a pivotal part in the movie’s massive success, amplifying the narrative and enhancing memorable moments with his unique style.
The buzz surrounding Pushpa 2 has only increased since the release of its predecessor. Fans eagerly await more details, and while the involvement of talented musicians like Thaman might have added to the excitement, it is clear that DSP’s continuation is set to maintain the musical essence of the series.
As Thaman continues his work on other major projects, he reassured fans of exciting compositions to come. Meanwhile, the confirmation of DSP’s role in Pushpa 2 reinforces the trust fans have in the consistency and quality of the sequel’s music.
For now, audiences can rest assured that Pushpa 2: The Rule will stay true to its roots, guided by the creative vision that made its first installment a sensation.
Read Also: Harom Hara Review